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Storyteller: The Complete Anthology 1964-1990 - Slipknot
All Hope Is Gone - Tangerine Dream
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.5: The Gray Chapter - Osbourne Ozzy
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U.K. - U.K.
Danger Money - U.K.
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Sešit pro umění, teorii a příbuzné zóny 35/2023

- Typ zboží: Kniha
- Dodání: do 14 dnů (klikni pro bližší informace k dodání)
- Vydavatel: Akademie výtvarných umění
- Vydáno: 9.2.2024
- Objednací kód: 3545401

- Běžná cena: 100 Kč
- Naše cena: 85 Kč (vč. DPH)
- Ušetříte: 15 Kč (15%)
- jazyk:
angličtina - počet stran:
208 - vazba:
brožovaná
Notebook for Art, Theory and Related Zones 35/2023 The 35th issue of Notebook for Art, Theory and Related Zones returns to the topic of exhibition history. Given its international line-up, the issue is entirely in English. The texts are all based on papers presented at the series of conferences entitled Resonances, which was the outcome of a collaboration involving the AVU Research Institute, the Central European Research Institute for Art History in Hungary (KEMKI), the Art History Department at Jan Amos Comenius University in Bratislava, and the Piotr Piotrowski Centre for Research on East-Central European Art at the Adam Mickiewicz University in Poznań. In the first paper, entitled "Language Paths: Methods for a New Cultural Geography of (East-Central) Europe”, Katalin Cseh-Varga explores the key role of language within the cultural geography and transfers of the countries of our region during the era of state socialism. The concept of cultural transfer also features in the article by Tomasz Załuski entitled "Transnational Networks at Galeria Labirynt in Lublin and the Concept of Video Art as a Cultural Transfer”. Załuski shows how the complexity of artistic networks transcends the limits of methodological nationalism, the dichotomy of "official” and "unofficial” art, and the notion of a one-way transfer from West to East. In her article entitled "Global Exhibition Histories and Their Visual Time: Shiko Munakata in Warsaw”, Gabriela Świtek analyses the differences between the Western and Eastern cultural environments, using the example of the different reception and locally specific "visual ti
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